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Jesus College
Jesus College
While at Niall McLaughlin Architects, Benni was privileged to work on a range of projects including the renovation of West Court, a Grade II listed building for Jesus College in Cambridge. The project was successful in achieving a building that is both grounded in its place while offering a renewed image of the College onto the city. Benni worked on the scheme from concept stage, supporting the project through planning and across two of its main build stages. He gained experience of working with listed buildings, executing internal and external packages during the renovation of the original building.
In addition, Benni was involved in the design of the new entrance tower on Jesus Lane and supported the design of the facade of its adjacent building with a rhythmic timber insert of bays between existing brick piers. A new 180-seater auditorium was inserted within the extensively remodelled structure as a golden timber-lined box, designed to support the College’s repute as a centre for research. Above, a suite of long and short-term accommodation completes the court with different treatments that respond to a private condition and the opposite urban streetscape.
Project realised by Niall McLaughlin Architects.
Title: Jesus College
Location: Cambridge
Year: 2017
Client: Jesus College
Type: Cultural
Status: Completed
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Horizon at Tate Modern
Horizon at Tate Modern
We were asked to collaborate again with the fashion designer Ports 1961 at London Fashion Week in February 2018 for a AW18 show at Tate Modern, London. Designed around the raw spaces of the Tanks, the proposal emphasised the clean raw image of the interior of the cavernous space.
As a simple yet powerful intervention, the proposed lighting installations were a reaction to the qualities of the site and the attempt to generate an atmosphere of sunrise. The project, ‘Horizon’, sought to introduce the evocative glow of early morning light, realised by the introduction of large spherical lights that helped to create drama and frame the large concrete volume. The lighting was designed to interact with the increase in number of visitors, getting brighter as the space was occupied as an awakening daylight.
Title: Horizon at Tate Modern
Location: London
Year: 2018
Client: Ports 1961
Type: Cultural
Status: Completed
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Beaconsfield Gallery
Beaconsfield Gallery
Our recent investigation into the restoration and expansion of an ambitious gallery in Vauxhall has developed a series of sensitive yet radical solutions that look to expand the programming for a growing exhibition schedule and the continued community engagement initiatives. Working with the rich history of the building and its character, the interventions are intended as simple changes that complement and work sympathetically with the whole.
The project hopes to provide a large extension to the roof with a new connecting stair tower, allowing an accessible route to the upper levels while creating a new figure and beacon to the city. Details including the meaning stair within the large gallery space are made in a vocabulary of thin cast iron metalwork to accentuate these fragments against the existing building, to be clearly read as something new.
Title: Beaconsfield Gallery
Location: London
Year: 2019
Client: Beaconsfield Gallery
Type: Cultural
Status: in progress
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Artist Studio & Archive
Artist Studio & Archive
The conversion of an outbuilding for Flat Time House forms part of a phased approach for the future of the gallery. EBBA have developed proposals for the small yet ambitious gallery in South London, taking inspiration from the works of the founder John Latham. As part for the first phase, EBBA have created a new artist studio and archive for the gallery’s growing research and events programme.
These proposals look to resolve some issues with the use of the spaces on the ground floor, by creating better connections to the existing gallery, establishing a new research centre with a store for the large collection of artworks. The future works will consider how to connect the outbuilding with the house through a landscaping proposal. The project is conceived as a series of abstracted and sympathetic revisions that will allow the users to interact with the gallery in a new way.
The spirit of the new spaces take cues from the existing house and the works of John Latham, seeing the interventions as “attachments” that respect the existing conditions of the gallery. Understanding the house as a number of events and accumulations, the new elements are conceived to be read as such. These small projects are an add-on that speak of the materiality of layers, building on the importance of the house as an artwork. Reuse of the demolished interior structures become new workbenches for the artist studio and rubble from previous alterations are ground into aggregate for bespoke concrete fixtures. The history of the mezzanine is retained as an imprint in the floor where the legs used to sit.
Title: Artists Studio & Archive
Location: London
Year: 2020
Client: Flat Time House
Photographs: Lorenzo Zandri
Type: Cultural
Status: Completed
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Architectural Futures Exhibition
Architectural Futures Exhibition
‘Architectural Futures’ exhibition completed at the Royal Academy of Arts designed by EBBA to showcase the Royal Academy Dorfman Award, celebrating the achievements of an emerging architect, practice or collective who is reimagining the future of architecture. We’ve worked with curator Gonzalo Herreroand graphic designers Daly Lyon on the project to help display the four practices in an engaging and elegant way, tied together by a clean and earthy material palette showcased on a very large table filling the room of the Architecture Studio. Photo by Agnese Sanvito Courtesy of the Royal Academy of Arts, London
Title: Architectural Futures Exhibition
Location: London
Year: 2020
Client: Royal Academy of Arts
Photographs: Agnese Sanvito and Daly & Lyon
Graphics: Daly & Lyon
Curator: Gonzalo Herrero Delicado
Type: Cultural
Status: Completed
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Concéntrico
Concéntrico
The project starts with the act of placing a column in a space to help rationalise and give a new order to the square, as a way of acknowledging the qualities while trying to transform the use of the public realm. This project is a continuation of EBBA’s fascination in the ideas and use of rudimentary architectural elements and our interest in creating simple yet purposeful interventions that explore proportion, form and public space.
The city of Logroño, known for its historic buildings and reputable churches, is part of the trail on the ‘Camino de Santiago’, a pilgrimage route leading from the French border across the north of Spain. A city made up of streets and patios helps to create a sense of urban rooms at different scales, all lined with colonnades that are carried by columns which both define and provide unique edge conditions. This intervention takes the idea of the column as a device, and the understanding of it being integral to the way the spaces in this city are formed, as a starting point.
Responding to quite a complicated site this project gives the square a new order through a very simple intervention. The placement of a single column can help to demarcate and create an enclosure, as well as anchor and make new space around it. This project proposed to transform the square by adding columns by way of offering new configurations that could be re-arranged. The project suggests a playful way of activating the space that could allow the various local festivities to happen within the sea of columns. As a simple gesture, the columns were designed to be reorganised, to create new rooms within this urban room, while at night they transformed into light beacons to give the square a new life and a totally different experience in the city.
Title: Concéntrico
Location: Logroño
Year: 2019
Client: Concéntrico Festival
Type: Cultural
Status: Completed
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Edouard Malingue
Edouard Malingue
We collaborated with Edouard Malingue gallery from Hong Kong to provide them with a temporary location in London, conceived as a transformative space that will allow three shows and a series of public events. Set in a Grade 1 listed building in Islington, home to the St. Saviour’s Studios, this project space aimed to “create an open dialogue between geographies, mediums and instil a sense of curiosity.” The first of the sequence of projects was a piece called ‘Listen’, a performative installation by conceptual artist Wang Wei. EBBA later supported the design of the group show, curated by Jennifer Ellis and Helen Pheby of the Yorkshire Sculpture Park.
Title: Edouard Malingue Gallery
Location: London
Year: 2019
Client: Edouard Malingue Gallery
Type: Cultural
Status: Completed



































































