05•2022
05•2022
Studio Potter Exhibition
Studio Potter Exhibition
EBBA delivered an exhibition design for a special presentation of ‘Richard Batterham – Studio Potter’ at the Victoria and Albert Museum. The design tries to bring in a sense of the process from Richard’s studio, picking up on found details and textures. It also reimagines the use of the gallery and the way in which objects are displayed, so that visitors can capture the qualities of the material from the pieces.
Richard Batterham (1936 – 2021) was a renowned studio potter, who lived and worked in the village of Durweston, Dorset. He set up his pottery in 1959 and worked there independently for over 60 years, cultivating an instantly recognisable family of forms and a distinct making practice which set him apart from other potters of his time. This display presents a unique collection of pots, selected with Richard from his archive, tracing his exploration of form and uncompromising dedication to pottery.
Title: Studio Potter at V&A
Location: London
Year: 2021
Client: V&A
Photographs: Thomas Adank
Graphics: Plan B Creative Studio
Curators: Rebecca Knott, Rebecca Luffman
Type: Cultural
Status: Completed
Related Projects
Late Constable Exhibition
Edouard Malingue
Horizon at Tate Modern
05•2022
05•2022
La Falda
La Falda
La Falda is an experimental project completed as part of a renovation to a primary school in Alicante, clad in tiles made from recycled bitumen panels. The project formed part of a larger phased masterplan for the development of the school that began in 2015.
The undulating forms were designed to reference the terracotta tiles synonymous with the region and the colour palette of southern Spain. Our concept was the design of a low-tech solution that could be easily constructed by the studio and a team of students in a matter of days. The self-build was completed on a very tight budget and has radically changed the architecture, helping to give new life to a tired building at the school.
In accordance with Spanish planning laws, the school’s location on designated agricultural land means that any new buildings have to be classified as ‘temporary’. The current primary school is housed in a 30-year-old prefabricated structure which has inevitably weathered over the years, and we wanted to help provide a distinctive architectural identity that would transform the project and could inspire the students in the years to come.
The developed of the project involved rigorous material investigations as well as the testing of paints and different colour variations to help achieve an effect that feels almost crafted. The choice to use the corrugated sheets came from the economy of means and the resources available, yet the versatility and malleability of the material offered an opportunity to create tiled-sized panels that could cover a large area of the façade. The project was a search for new methods of using the material – which is often used to clad warehouses and farm buildings – in an inventive and beautiful way.
The result is a patchwork of tiles in different shades of red that have a richly textured surface. The subtle tonal variations of the façade give the building its dress-like quality.
Title: La Falda
Location: Alicante
Year: 2018
Client: Sierra Bernia School
Type: Cultural
Status: Completed
Related Projects
Construction Skills School
Las Maravillas Farmhouse
WatchHouse
05•2022
05•2022
Beyond Fashion Exhibition
Beyond Fashion Exhibition
EBBA have designed a new exhibition on Fashion Photography in Hong Kong. The design of the exhibition takes the notion of fashion being in continual flux and the view that fashion photography is about establishing a narrative that can be seen as a reflection of the world. This is manifested in the spatial journey, taking cues from the genres to provide different ways to view and experience the photography.
The sculpted forms and arrangement of walls help to guide people through the space without a strictly defined route, intended to promote a sense of exploration and discovery. Framing views through to adjacent rooms help to blur the lines between the groups, setting up connections that both tie and react against the varying styles and inter-generational photographs in the show.
Title: Beyond Fashion Exhibition
Location: Hong Kong
Year: 2018
Client: Swire Properties ’Artis Tree and Foundation for the Exhibition of Photography
Photographs: Common Studio
Curator: Nathalie Herschdorfer
Head of exhibition: MMBP
Type: Cultural
Status: Completed
Related Projects
Horizon at Tate Modern
Studio Potter Exhibition
Edouard Malingue
05•2022
05•2022
Horizons
Horizons
EBBA recently developed designs for HORIZONS as a partnership project with AORA Gallery and Sofar online centered on healing. In this exhibition we worked alongside virtual artist Lawrence Lek to build a space that could showcase his latest work ‘Nepenthe Valley’, a vibrant and engaging virtual world of healing, restoration and exploration.
Title: Horizons
Location: London
Year: 2020
Client: AORA Gallery
Type: Cultural
Status: Completed
Related Projects
05•2022
05•2022
Late Constable Exhibition
Late Constable Exhibition
EBBA worked closely with the team at the Royal Academy of Arts and Graphic Designers Daly & Lyon to deliver a prestigious exhibition on Late Constable, looking at the modern artist’s work towards the end of his life. In response to a traditional painting show, the exhibition design reflects a clean and fresh aesthetic with colours that help to capture the tonal qualities of the show.
Large walls help to frame three of the key paintings in his oeuvre, while table displays present sketches of the larger paintings on show, a reference to the way in which drawings were historically hung at events at the Royal Academy – a nod to the fact Constable was only made an Academician very late in life.
Overall the exhibition design tries to create a backdrop and spatial arrangement that helps to elevate the works on show without distracting from the importance of the paintings themselves.
Title: Late Constable Exhibition at RA
Location: London
Year: 2021
Client: Royal Academy of Arts
Photographs: James Retief
Graphics:Daly & Lyon
Curators: Per Rumber, Anne Lyles, Rose Thompson
Management: Rebecca Bailey, Idoya Beita, Amon Brown, Florence Mytum
Type: Cultural
Status: Completed
Related Projects
Horizon at Tate Modern
Beyond Fashion Exhibition
Into Air Exhibition
05•2022
05•2022
Showspace Exhibition
Showspace Exhibition
We completed a unique spatial environment for the Ports 1961 SS18 show using simple curved walls. These walls became devices for suggesting movement and to provide a central focus within the space; a direct reference to the houses of Toyo Ito in Japan where walls are used not to demarcate space but to influence processes and rituals. In a similar manner, the walls were introduced as a way of generating a sense of flow and use.
The walls acted as experiential nodes during the show, directing the models and engaging the guests with the performance. The walls were constructed from simple, cheap plasterboard panels, steamed and scored to create the elegant curved edges that would reflect light off the resin floors. The simple placement of these curved surfaces was an investigation into the relationship of performance and space.
The studio worked with a brilliant fabricator who helped to develop the intricate details and method of manufacture to ensure seamless joints across all walls throughout the space.
Title: Showspace Exhibition
Location: London
Year: 2018
Client: Ports 1961
Type: Cultural
Status: Completed
Related Projects
05•2022
05•2022
Installation, Venice Biennale
Installation, Venice Biennale
Member of the commissioning team for the Irish Pavilion at the Venice Architecture Biennale 2016 with Niall McLaughlin Architects. A 6-month period of research into the role of architecture in dementia, culminating in the production of an installation in Venice as a large projection of a drawing showing the life of a building occupied by carers and patients of a respite centre. Delicate brass stands held the projectors while a sea of speakers created the immersive experience as if being present inside the drawing.
Title: Installation Venice Biennale
Location: London
Year: 2016
Type: Cultural
Status: Completed
Related Projects
05•2022
05•2022
Jesus College
Jesus College
While at Niall McLaughlin Architects, Benni was privileged to work on a range of projects including the renovation of West Court, a Grade II listed building for Jesus College in Cambridge. The project was successful in achieving a building that is both grounded in its place while offering a renewed image of the College onto the city. Benni worked on the scheme from concept stage, supporting the project through planning and across two of its main build stages. He gained experience of working with listed buildings, executing internal and external packages during the renovation of the original building.
In addition, Benni was involved in the design of the new entrance tower on Jesus Lane and supported the design of the facade of its adjacent building with a rhythmic timber insert of bays between existing brick piers. A new 180-seater auditorium was inserted within the extensively remodelled structure as a golden timber-lined box, designed to support the College’s repute as a centre for research. Above, a suite of long and short-term accommodation completes the court with different treatments that respond to a private condition and the opposite urban streetscape.
Project realised by Niall McLaughlin Architects.
Title: Jesus College
Location: Cambridge
Year: 2017
Client: Jesus College
Type: Cultural
Status: Completed
Related Projects
05•2022
05•2022
Horizon at Tate Modern
Horizon at Tate Modern
We were asked to collaborate again with the fashion designer Ports 1961 at London Fashion Week in February 2018 for a AW18 show at Tate Modern, London. Designed around the raw spaces of the Tanks, the proposal emphasised the clean raw image of the interior of the cavernous space.
As a simple yet powerful intervention, the proposed lighting installations were a reaction to the qualities of the site and the attempt to generate an atmosphere of sunrise. The project, ‘Horizon’, sought to introduce the evocative glow of early morning light, realised by the introduction of large spherical lights that helped to create drama and frame the large concrete volume. The lighting was designed to interact with the increase in number of visitors, getting brighter as the space was occupied as an awakening daylight.
Title: Horizon at Tate Modern
Location: London
Year: 2018
Client: Ports 1961
Type: Cultural
Status: Completed
Related Projects
05•2022
05•2022
Beaconsfield Gallery
Beaconsfield Gallery
Our recent investigation into the restoration and expansion of an ambitious gallery in Vauxhall has developed a series of sensitive yet radical solutions that look to expand the programming for a growing exhibition schedule and the continued community engagement initiatives. Working with the rich history of the building and its character, the interventions are intended as simple changes that complement and work sympathetically with the whole.
The project hopes to provide a large extension to the roof with a new connecting stair tower, allowing an accessible route to the upper levels while creating a new figure and beacon to the city. Details including the meaning stair within the large gallery space are made in a vocabulary of thin cast iron metalwork to accentuate these fragments against the existing building, to be clearly read as something new.
Title: Beaconsfield Gallery
Location: London
Year: 2019
Client: Beaconsfield Gallery
Type: Cultural
Status: in progress
Related Projects