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Photographer’s Studio
Photographer’s Studio
EBBA have designed a small photographer’s studio, nestled in a wooded garden. The building offers a tall gallery-like space that serves for both studio and domestic activities. The interior is defined by the construction of the building, connected with large openings to the surroundings. It’s main elevation is clad in timber and ceramic tiles that have a rough texture like the bark of the trees on the site.
Title: Photographer’s Studio
Location: London
Year: 2019
Client: Private
Type: Dwelling
Status: Planning granted
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Jacob Street
Jacob Street
EBBA completed the refurbishment to a warehouse in Bermondsey, turning a commercial unit into a bright and generous apartment. The studio was appointed to reimagine the arrangement of the tall loft space, maximising the use of natural light to make a calm and inviting interior.
The plan is configured to allow for a large open plan kitchen and living area where the clients can also work from, with the new bathrooms and bedrooms being enclosed behind a dark timber clad volume providing more intimate spaces to retire to. A step up and change in level adds to the transition between the two zones of the home. The layout follows the grid of the existing structure making well-proportioned rooms across the apartment.
The rich lining to the timber enclosure emphasises the way the volume is inserted into the space, helping to separate the different functioning zones of the apartment. The outer face of the walnut box facing towards the open side reveals a bold kitchen unit with deep cupboards, acting as a key feature in the living space.
Along one side there is continuous piece of joinery that acts as a library. The bedrooms and bathrooms with the use of cement tiles and a poured floor creates a tactile yet comfortable feel while bringing a sense of tranquillity through materials that complement the darker tones of the walnut elsewhere.
The overall result aims to maintain the character of the building by celebrating the existing steel structure, keeping it exposed and working around the frame to highlight the history of the warehouse. The project tries to make the most of the tall spaces and at the same time offer the opportunity for flexibility required to accommodate the clients’ active lives.
Title: Jacob St
Location: London
Year: 2022
Client: Private
Photographs: James Retief
Type: Dwelling
Status: Completed
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Saints Church Hackney
Saints Church Hackney
EBBA have worked on the Interpretation Plan to deliver a series of small interventions for Saints Church, Hackney with graphic designers OMSE & Family alongside John Pawson & Es Devlin. The project includes way finding signage as a way of helping visitors to engage with the grounds, designed as tall totems with framed openings to mimic the feature windows of the church. We are very thankful for being able to contribute to the restoration of the church.
Title: Saints Church
Location: London
Year: 2020
Client: Hackney Church
Photographs: Gilbert McCarragher, courtesy of OMSE
Type: Cultural
Status: Completed
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Studio Potter Exhibition
Edouard Malingue
Late Constable Exhibition
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AORA Retail
AORA Retail
Retail design developed as part of our work for AORA Gallery exploring ways to display and showcase products in a way that can connect with people’s senses. AORA is an acclaimed virtual gallery exhibiting and supporting artists, offering unique digital experiences and wellness products while also aiming to be a place that can bring slowness into peoples lives. Pioneering a culture of care is at its heart and never has this been more important than the present.
Title: AORA Retail
Location: London
Year: 2021
Client: Client: AORA Gallery
Type: Retail
Status: Completed
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Stanhope
Stanhope
A robust project completed last year to enlarge a family home. Taking inspiration from Florentian palaces with heavy rusticated bases and big timber entrances, the rear facade now gives a certain grandeur to the house and allows the large openings to extend the sense of enclosed space to the paved section of garden. The interior plays between the large sculpted ceiling and the delicate column, providing space for an airy and well proportioned kitchen/dining area. The project was realised on an incredibly tight budget while still managing to deliver a sense of craft through careful detailing and robust materials.
Title: Stanhope
Location: London
Year: 2021
Client: Private
Photographs: James Retief
Type: Dwelling
Status: Completed
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AORA
AORA
The series of projects developed for AORA are part of an on-going investigation into the design of spaces that promote care and wellbeing. Conceived entirely to be experienced virtually, this research into digital architecture aims to look at ways of instilling a sense of calm, wellbeing and discovery through form, light and context.
AORA is a dedicated space designed to display art and at the same time as a place that can bring slowness into peoples lives. Developed with the intention of providing a place for people to experience art while stuck at home during the pandemic, the forms are intentionally made to promote discovery.
Inspired by the images of Domus Aurea in Rome and our experiences of visiting Naoshima in Japan, the forms are also a representation of carved spaces that inherently capture the feeling of a cavernous interior. Large openings help to connect you with images of the sky while stark shadows give the visitor a sense of warmth that comes from the contrasting sunlight on the walls.
Title: AORA
Location: London
Year: 2020
Client: Client: AORA Gallery
Type: Cultural
Status: Completed
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Studio Potter Exhibition
Studio Potter Exhibition
EBBA delivered an exhibition design for a special presentation of ‘Richard Batterham – Studio Potter’ at the Victoria and Albert Museum. The design tries to bring in a sense of the process from Richard’s studio, picking up on found details and textures. It also reimagines the use of the gallery and the way in which objects are displayed, so that visitors can capture the qualities of the material from the pieces.
Richard Batterham (1936 – 2021) was a renowned studio potter, who lived and worked in the village of Durweston, Dorset. He set up his pottery in 1959 and worked there independently for over 60 years, cultivating an instantly recognisable family of forms and a distinct making practice which set him apart from other potters of his time. This display presents a unique collection of pots, selected with Richard from his archive, tracing his exploration of form and uncompromising dedication to pottery.
Title: Studio Potter at V&A
Location: London
Year: 2021
Client: V&A
Photographs: Thomas Adank
Graphics: Plan B Creative Studio
Curators: Rebecca Knott, Rebecca Luffman
Type: Cultural
Status: Completed
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Penhaligon’s
Penhaligon’s
The project was developed as part of the RIBA Regent Street Window Competition in 2014 for the classic perfumery, Penhaligons. The delicate copper lattice structure was designed as a reference to the antiquated methods of distilling perfume and the copper apparatus used in the process. The project was proposed as an evocated and experiential piece that aimed at drawing people into the shop to engage with the making of the perfume.
The project was awarded Best Dressed window and due to its success was later installed in 17 of their stores globally.
Title: Penhaligon’s
Location: London
Year: 2016
Client: Penhaligon’s
Collaboration with Aljawad Pike
Type: Retail
Status: Completed
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Gerrards Cross
Gerrards Cross
We are developing proposals for two new homes sharing a likeness in plan yet responding to the needs of each family. Solid walls create the sense of a carved interior with joinery sitting between to line and break up spaces. The buildings reflect a tradition of Georgian architecture while details take inspiration from the local Arts & Crafts houses, an amalgamation of influences that result in a robust contemporary proposition.
Title: Gerrards Cross
Location: London
Year: 2022
Client: Private
Type: Dwelling
Status: in progress
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La Falda
La Falda
La Falda is an experimental project completed as part of a renovation to a primary school in Alicante, clad in tiles made from recycled bitumen panels. The project formed part of a larger phased masterplan for the development of the school that began in 2015.
The undulating forms were designed to reference the terracotta tiles synonymous with the region and the colour palette of southern Spain. Our concept was the design of a low-tech solution that could be easily constructed by the studio and a team of students in a matter of days. The self-build was completed on a very tight budget and has radically changed the architecture, helping to give new life to a tired building at the school.
In accordance with Spanish planning laws, the school’s location on designated agricultural land means that any new buildings have to be classified as ‘temporary’. The current primary school is housed in a 30-year-old prefabricated structure which has inevitably weathered over the years, and we wanted to help provide a distinctive architectural identity that would transform the project and could inspire the students in the years to come.
The developed of the project involved rigorous material investigations as well as the testing of paints and different colour variations to help achieve an effect that feels almost crafted. The choice to use the corrugated sheets came from the economy of means and the resources available, yet the versatility and malleability of the material offered an opportunity to create tiled-sized panels that could cover a large area of the façade. The project was a search for new methods of using the material – which is often used to clad warehouses and farm buildings – in an inventive and beautiful way.
The result is a patchwork of tiles in different shades of red that have a richly textured surface. The subtle tonal variations of the façade give the building its dress-like quality.
Title: La Falda
Location: Alicante
Year: 2018
Client: Sierra Bernia School
Type: Cultural
Status: Completed
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