05•2022
05•2022
Studio Potter Exhibition
Studio Potter Exhibition
EBBA delivered an exhibition design for a special presentation of ‘Richard Batterham – Studio Potter’ at the Victoria and Albert Museum. The design tries to bring in a sense of the process from Richard’s studio, picking up on found details and textures. It also reimagines the use of the gallery and the way in which objects are displayed, so that visitors can capture the qualities of the material from the pieces.
Richard Batterham (1936 – 2021) was a renowned studio potter, who lived and worked in the village of Durweston, Dorset. He set up his pottery in 1959 and worked there independently for over 60 years, cultivating an instantly recognisable family of forms and a distinct making practice which set him apart from other potters of his time. This display presents a unique collection of pots, selected with Richard from his archive, tracing his exploration of form and uncompromising dedication to pottery.
Title: Studio Potter at V&A
Location: London
Year: 2021
Client: V&A
Photographs: Thomas Adank
Graphics: Plan B Creative Studio
Curators: Rebecca Knott, Rebecca Luffman
Type: Cultural
Status: Completed
05•2022
05•2022
La Falda
La Falda
La Falda is an experimental project completed as part of a renovation to a primary school in Alicante, clad in tiles made from recycled bitumen panels. The project formed part of a larger phased masterplan for the development of the school that began in 2015.
The undulating forms were designed to reference the terracotta tiles synonymous with the region and the colour palette of southern Spain. Our concept was the design of a low-tech solution that could be easily constructed by the studio and a team of students in a matter of days. The self-build was completed on a very tight budget and has radically changed the architecture, helping to give new life to a tired building at the school.
In accordance with Spanish planning laws, the school’s location on designated agricultural land means that any new buildings have to be classified as ‘temporary’. The current primary school is housed in a 30-year-old prefabricated structure which has inevitably weathered over the years, and we wanted to help provide a distinctive architectural identity that would transform the project and could inspire the students in the years to come.
The developed of the project involved rigorous material investigations as well as the testing of paints and different colour variations to help achieve an effect that feels almost crafted. The choice to use the corrugated sheets came from the economy of means and the resources available, yet the versatility and malleability of the material offered an opportunity to create tiled-sized panels that could cover a large area of the façade. The project was a search for new methods of using the material – which is often used to clad warehouses and farm buildings – in an inventive and beautiful way.
The result is a patchwork of tiles in different shades of red that have a richly textured surface. The subtle tonal variations of the façade give the building its dress-like quality.
Title: La Falda
Location: Alicante
Year: 2018
Client: Sierra Bernia School
Type: Cultural
Status: Completed
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Las Maravillas Farmhouse
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05•2022
05•2022
Beyond Fashion Exhibition
Beyond Fashion Exhibition
EBBA have designed a new exhibition on Fashion Photography in Hong Kong. The design of the exhibition takes the notion of fashion being in continual flux and the view that fashion photography is about establishing a narrative that can be seen as a reflection of the world. This is manifested in the spatial journey, taking cues from the genres to provide different ways to view and experience the photography.
The sculpted forms and arrangement of walls help to guide people through the space without a strictly defined route, intended to promote a sense of exploration and discovery. Framing views through to adjacent rooms help to blur the lines between the groups, setting up connections that both tie and react against the varying styles and inter-generational photographs in the show.
Title: Beyond Fashion Exhibition
Location: Hong Kong
Year: 2018
Client: Swire Properties ’Artis Tree and Foundation for the Exhibition of Photography
Photographs: Common Studio
Curator: Nathalie Herschdorfer
Head of exhibition: MMBP
Type: Cultural
Status: Completed
05•2022
05•2022
Horizons
Horizons
EBBA recently developed designs for HORIZONS as a partnership project with AORA Gallery and Sofar online centered on healing. In this exhibition we worked alongside virtual artist Lawrence Lek to build a space that could showcase his latest work ‘Nepenthe Valley’, a vibrant and engaging virtual world of healing, restoration and exploration.
Title: Horizons
Location: London
Year: 2020
Client: AORA Gallery
Type: Cultural
Status: Completed
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05•2022
05•2022
Late Constable Exhibition
Late Constable Exhibition
EBBA worked closely with the team at the Royal Academy of Arts and Graphic Designers Daly & Lyon to deliver a prestigious exhibition on Late Constable, looking at the modern artist’s work towards the end of his life. In response to a traditional painting show, the exhibition design reflects a clean and fresh aesthetic with colours that help to capture the tonal qualities of the show.
Large walls help to frame three of the key paintings in his oeuvre, while table displays present sketches of the larger paintings on show, a reference to the way in which drawings were historically hung at events at the Royal Academy – a nod to the fact Constable was only made an Academician very late in life.
Overall the exhibition design tries to create a backdrop and spatial arrangement that helps to elevate the works on show without distracting from the importance of the paintings themselves.
Title: Late Constable Exhibition at RA
Location: London
Year: 2021
Client: Royal Academy of Arts
Photographs: James Retief
Graphics:Daly & Lyon
Curators: Per Rumber, Anne Lyles, Rose Thompson
Management: Rebecca Bailey, Idoya Beita, Amon Brown, Florence Mytum
Type: Cultural
Status: Completed
05•2022
05•2022
Showspace Exhibition
Showspace Exhibition
We completed a unique spatial environment for the Ports 1961 SS18 show using simple curved walls. These walls became devices for suggesting movement and to provide a central focus within the space; a direct reference to the houses of Toyo Ito in Japan where walls are used not to demarcate space but to influence processes and rituals. In a similar manner, the walls were introduced as a way of generating a sense of flow and use.
The walls acted as experiential nodes during the show, directing the models and engaging the guests with the performance. The walls were constructed from simple, cheap plasterboard panels, steamed and scored to create the elegant curved edges that would reflect light off the resin floors. The simple placement of these curved surfaces was an investigation into the relationship of performance and space.
The studio worked with a brilliant fabricator who helped to develop the intricate details and method of manufacture to ensure seamless joints across all walls throughout the space.
Title: Showspace Exhibition
Location: London
Year: 2018
Client: Ports 1961
Type: Cultural
Status: Completed
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05•2022
05•2022
Beaconsfield Gallery
Beaconsfield Gallery
Our recent investigation into the restoration and expansion of an ambitious gallery in Vauxhall has developed a series of sensitive yet radical solutions that look to expand the programming for a growing exhibition schedule and the continued community engagement initiatives. Working with the rich history of the building and its character, the interventions are intended as simple changes that complement and work sympathetically with the whole.
The project hopes to provide a large extension to the roof with a new connecting stair tower, allowing an accessible route to the upper levels while creating a new figure and beacon to the city. Details including the meaning stair within the large gallery space are made in a vocabulary of thin cast iron metalwork to accentuate these fragments against the existing building, to be clearly read as something new.
Title: Beaconsfield Gallery
Location: London
Year: 2019
Client: Beaconsfield Gallery
Type: Cultural
Status: in progress
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05•2022
05•2022
Concéntrico
Concéntrico
The project starts with the act of placing a column in a space to help rationalise and give a new order to the square, as a way of acknowledging the qualities while trying to transform the use of the public realm. This project is a continuation of EBBA’s fascination in the ideas and use of rudimentary architectural elements and our interest in creating simple yet purposeful interventions that explore proportion, form and public space.
The city of Logroño, known for its historic buildings and reputable churches, is part of the trail on the ‘Camino de Santiago’, a pilgrimage route leading from the French border across the north of Spain. A city made up of streets and patios helps to create a sense of urban rooms at different scales, all lined with colonnades that are carried by columns which both define and provide unique edge conditions. This intervention takes the idea of the column as a device, and the understanding of it being integral to the way the spaces in this city are formed, as a starting point.
Responding to quite a complicated site this project gives the square a new order through a very simple intervention. The placement of a single column can help to demarcate and create an enclosure, as well as anchor and make new space around it. This project proposed to transform the square by adding columns by way of offering new configurations that could be re-arranged. The project suggests a playful way of activating the space that could allow the various local festivities to happen within the sea of columns. As a simple gesture, the columns were designed to be reorganised, to create new rooms within this urban room, while at night they transformed into light beacons to give the square a new life and a totally different experience in the city.
Title: Concéntrico
Location: Logroño
Year: 2019
Client: Concéntrico Festival
Type: Cultural
Status: Completed
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05•2022
05•2022
Sevenoaks Visitor Centre
Sevenoaks Visitor Centre
Sat within a densely wooded area, EBBA designed a low lying building with three distinct pitched roof structures that spoke to the differing conditions of the site, clad in reclaimed timber from railway sleepers that would allow the new building to blend in with the woodland. Designed as an ‘Open Landscape’, the plan was arranged as a series of slices, allowing views through to the wider reserve. An internal courtyard wrapped by the main gallery would bring nature and wildlife inside the building.
Inspired by the beautiful setting of the Sevenoaks Wildlife Reserve, the ‘Open Landscape’ would offer new horizontal connections to both faces of the site. The centre would be first and foremost a place for learning and discovery; a revolutionary hub that could foster greater relationships with nature through physical interactions.
The building was developed as a ‘porous’ device that would extend both outwards and upwards offering moments of calmness to draw wildlife in. The clear horizontal breaks in the plan offered framed views through to the reserve beyond, with many opportunities to connect to various aspects of the wildlife at a personal level. The vision for the project took influence from the surroundings and the local vernacular; with the low-lying horizontality of the building and three independent roof-forms used to breakup the mass, making the building meld into its site.
The simplified pitched roof structures in dark weathered wood would harness the building a proud yet modest appearance as a way of recognising the significance of this important landscape. The building would sit elegantly and integrated into the site, providing a powerful image from the various vantage-points on the reserve.
Title: Sevenoaks Visitor Centre
Location: Sevenoaks
Year: 2017
Client: Private
Type: Cultural
Status: Planning granted
Related Projects
Horizon at Tate Modern
Into Air Exhibition
Studio Potter Exhibition
03•2024
03•2024
Las Maravillas Farmhouse
Las Maravillas Farmhouse
The restoration of a farm building in Andalucia looks to make use of a series of dilapidated buildings across 350 hectares. As well as major internal works we are proposing to introduce new walls into the landscape that cut through the site, helping to deal with the topography while also framing and forcing new vistas.
We have been working closely with with the client’s and our collaborator, Charlotte Taylor, on the design the new buildings and restoration across the vast site in in Southern Spain to create an ecological wellness retreat including its own farm, stable buildings and a series of homes.
The design of these new structures takes into account the traditions of building within the area and looks to use local materials and techniques from the region. Over the next few years we willl work with the clients and their team to support the development of the land and all of its associated industry, including a number of interventions that will support wellbeing and leisure.
Title: Las Maravillas
Location: Andalucia
Year: 2023-Present
Type: Cultural & Wellness
Status: Planning
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