05•2022
05•2022
Townhouse
Townhouse
EBBA have been working on an ambitious scheme for a prominent corner site to provide three units over a showroom. The building takes on the proportions of the traditional townhouse typology while its form addresses the constraints of the plot. A bay projects out to mimic the buildings next door while strong banding in different brickwork helps to break down the scale.
Title: Townhouse
Location: London
Year: 2021
Client: Private
Type: Dwelling
Status: in progress
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05•2022
05•2022
Jesus College
Jesus College
While at Niall McLaughlin Architects, Benni was privileged to work on a range of projects including the renovation of West Court, a Grade II listed building for Jesus College in Cambridge. The project was successful in achieving a building that is both grounded in its place while offering a renewed image of the College onto the city. Benni worked on the scheme from concept stage, supporting the project through planning and across two of its main build stages. He gained experience of working with listed buildings, executing internal and external packages during the renovation of the original building.
In addition, Benni was involved in the design of the new entrance tower on Jesus Lane and supported the design of the facade of its adjacent building with a rhythmic timber insert of bays between existing brick piers. A new 180-seater auditorium was inserted within the extensively remodelled structure as a golden timber-lined box, designed to support the College’s repute as a centre for research. Above, a suite of long and short-term accommodation completes the court with different treatments that respond to a private condition and the opposite urban streetscape.
Project realised by Niall McLaughlin Architects.
Title: Jesus College
Location: Cambridge
Year: 2017
Client: Jesus College
Type: Cultural
Status: Completed
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06•2024
06•2024
V&A Fragile Beauty
V&A Fragile Beauty
EBBA delivered a monumental exhibition for the Victoria & Albert Museum; the first of its kind. The major show was a celebration of the incredible photographs of Elton John and David Furnish who have allowed access to the renowned collection. It was the first time a show entirely dedicated to photography was shown at the V&A.
EBBA worked closely with the curators and the V&A team to create a unique sequence of spaces that could capture the essence of the different themes throughout the show while ensuring the photography was centre stage. In order to help set a pace for the exhibition there are a series of threshold moments that give space between rooms, and at times glimpses across to other galleries are framed to help understand the breadth of the show and the connections between themes.
A key component of the entire project has been the celebration of re-use from the previous major showcase of Chanel. Over 75% of the previous show and its walls where reimagined and recycled, helping to drastically reduce waste and make a show that was more economical and put sustainability at the forefront. This is almost indecipherable from the layout of this new show, however many of the original walls were reinstated in the same location yet through careful design moves, where able to create an entirely new experience. The approach to reuse has set a benchmark for exhibition designs at the V&A and established a case study in the approach to lifecyle in exhibition design.
More on this Research into reuse can be read here.
From the initial welcome space, the subtle curvature of walls can be appreciated, something which acts as a device to remove any abrupt obstables and allow the flow throughout the exhibition. As a the first introduction to the themes of the show, Fashion sets a mature yet playful starting point, where the bespoke lighting helps to mimic the flash lighting in photography that was synonymous with the era in which a lot of the photographs are set.
One of the most important spaces in the show, and where the work of Nan Golding sits is Fragile Beauty. Also the title of the show, this work is housed in a playful yet sculptural object that gives glimpses to there being something important within. As the show progresses into Constructed Images, the works become larger and more abstract. In order to address the scale and to help make sense of the sequence, EBBA developed a large structure that has the appearance of being suspended. The solution to create something that could create the feeling of rooms yet not completely coming to the ground was in order to make sense of the vast collection in this space. In addition to the hanging box, the perimeter walls peel away to distort the views and help to engage with each of the works more closely.
Title: Fragile Beauty
Location: London
Year: 2024
Client: V&A Museum
Photographer: James Retief
Type: Cultural
Status: Completed
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07•2024
07•2024
Steel House
Steel House
Newly completed full restoration in London to a traditional Victorian House. A two-storey full width infill to the rear of the terraced house creates a distinctive new element that rationalises what used to be a adhoc arrangement of previous additions. Reconfiguration of the lower and ground floors help open up and connect to main living spaces, while the upper floors have been updated with new interventions throughout. A steel structural facade gives new views out to the garden and at the same time transforms the rear of the house to give it a porous quality.
The double height insertion will help to establish a new relationship between the lower ground and upper floors to make a more connected home. The delicate infill helps to give the impression of a tall conservatory, drawing light deep into the plan as well as framing views of the garden from different parts of the interior.
We worked carefully with the original building to reimagine the layout and provide a new family home that caters to modern ways of living. The connection between the different floors and the generous opening up of the spaces generates an entirely new experience in the home, one that promotes better use of the house and helps to improve the quality and access to light.
Title: Steel House
Location: London
Year: 2024
Client: Private
Photographer: Ståle Eriksen (interior) & Rikard Khan (exterior)
Type: Dwelling
Status: Completed
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08•2025
08•2025
Parallel Sessions Gallery
Parallel Sessions Gallery
Parallel Sessions reimagines the traditional gallery model through a close collaboration between artist Olu Odukoya and architect Benni Allan, founding director of EBBA. Conceived in 2018 and realised in 2024, the project emerged from a shared desire to create a more flexible, intimate way to engage with art. The two met by chance in East London’s Hackney, where mutual interests in interdisciplinary work and challenging creative norms sparked the idea.
Located on Teesdale Street, the gallery is housed in a modest 3x3x3 metre unit. EBBA helped transform the space into a hybrid gallery-studio, using minimal interventions to prioritise the artwork. The design is intentionally pared back to be compact, tactile and direct, allowing each installation to take centre stage.
The programme is non-linear and time-based, with exhibitions presented as “sessions” that vary in length and form, grouped into evolving “seasons.” This structure allows for repetition, looping and experimentation, giving artists complete control over how their work is experienced.
Originally inspired by a concept for a replicable gallery, Parallel Sessions now includes a digital platform streaming live footage of exhibitions, further extending access. Ultimately, the project embraces limitations as a creative driver, offering a unique model for showcasing diverse, process-led work in both physical and virtual formats.
Title: Parallel Sessions
Location: London
Year: 2025
Client: Olu Odukoya
Photographer: Rikard Kahn, James Retief
Type: Gallery
Status: Completed
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03•2024
03•2024
WatchHouse
WatchHouse
Drawing inspiration from the modernist architectural features of lobbies found in civic buildings, the project is rooted in an approach to craft an inviting, unique space whilst establishing a sense of connection to the broader building. The concept store was developed to echo the clean lines and grid patterns characteristic of Miesian buildings, introducing sculptural objects throughout to partition the space.
The flexible nature of the space offered a new opportunity to delve into the intricate connection between the art of coffee making and the customer experience. Embracing WatchHouse’s values and passion for creating spaces where people want to ‘spend time’, we looked to imagine a sanctuary in the city – somewhere that felt beautiful and inviting, whilst also being highly functional.
Central to the design is an eight-metre stainless steel counter which acts as a stage for the theatre of coffee-making to unfold but also as a communal workspace, nurturing a fluid motion of activity around the centrepiece. Whilst the adjacent atrium offers comfortable seating, we looked to carve out pockets of relaxation throughout the store itself, incorporating a large coffee table and bench which provides customers with moments of quiet respite as they await freshly brewed coffee.
Each of the furniture pieces were designed and crafted in house by the studio, including the sculpted steel counter and the large oak table which was skillfully made from solid blocks, designed to emulate the aesthetic of stacked timber, complementing the grid-like ceiling and evoking a sense of organic unity.
Title: WatchHouse
Location: London
Year: 2024
Client: WatchHouse
Photographer: Ståle Eriksen
Type: Retail
Status: Completed
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05•2022
05•2022
Construction Skills School
Construction Skills School
EBBA have been working with the London Legacy Development Corporation on an exciting project to deliver a centre for construction skills learning. In collaboration with CITB and TFL, the construction school will provide the opportunity for people to be sponsored through practical education and training. The facade is aimed to speak of the activities inside the school, as an exploration of assembly which will eventually be disassembled and used in other areas around the Olympic Park.
Title: Construction Skills School
Location: London
Year: 2020
Client: London Legacy Development Corporation
Photographs: James Retief
Type: Cultural
Status: Completed
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09•2024
09•2024
Space Talk
Space Talk
A collaboration between EBBA and Studio Charlotte Taylor on the design of Space Talk, a new Listening Bar in Farringdon, London. Space Talk is dedicated to sound and community, and draws its concept from creating place that can generate a sense of calm and intimacy. The design and atmosphere uses light and the feeling of warmth from the natural materials that wrap the space. This project is about how each component of the project comes together to create a unified idea through lots of considered moments. The resolution and spacial configuration is the result of design challenges and opportunities of working on a project dedicated to sound, and at the same time wanting to make the space feel sophisticated and intimate.
Sound system by Friendly Pressure with speakers in collaboration with Lewis Kemmenoe.
Acoustics by Ethan Bourdeau
Furniture with Spazio Leone
Title: Space Talk
Location: London
Year: 2024
Client: Space Talk
Photographer: Ollie Tomlinson
Type: Bar
Status: Completed
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06•2024
06•2024
Veja
Veja
A collaboration with designer Deidra Hodgson on the first store for Veja in London, featuring a monolithic stone structure that forms a key element within the space. EBBA worked as executive architect to develop the design and deliver the project, including the complex sculptural element that anchors the space.
Title: Veja Store
Location: London
Year: 2024
Client: Veja
Photographer: James Retief
Type: Retail
Status: Completed
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01•2023
01•2023
Cast House
Cast House
EBBA completed the refurbishment and extension to a Victorian home in East London. The project looked to maximise the opportunities for light while creating small moments of calm.The result is characterised by intricate timber detailing and the textures found in the floors and the cast facade; a celebration of finding ways of making more with less.
The new large open plan kitchen with adjacent dining area benefits from framed views to the garden and beyond. A vaulted ceiling introduces a unique feature inspired by roman arches and the client’s interest in travel.The continuous tiled floor runs from the garden into the living space helping to connect and extend the rooms, while making the feeling of expansiveness.The lowered section of the living space and the kitchen are divided by a changing level helping to add a different atmosphere within the same space.
Similar detailing in a refined yet textured palette follow upstairs into the rest of the house. A calm master bedroom leads to a walk-in wardrobe and ensuite. Everywhere there has been special attention to making the most of joinery and linings to elevate the feel of each room.
The feature facade is cast in a pigmented eco-cement with a subtle brown tone, finished in a technique that brings out the aggregate reminiscent of Brutalist architecture. Between the rougher elements are a series of screens that act as pivots that can open wide, making better connections to the garden. Altogether the extension has dramatically enhanced the quality of the spaces and provided an architecturally-ambitious project for the young couple, newborn and their Dachshund, Betty.
Title: Cast House
Location: London
Year: 2022
Client: Private
Photographs: Nick Dearden
Interior & Styling: Anahita Rigby & Sophie Surridge
Low Collection Seat: Benni Allan with Béton Brut
Type: Dwelling
Status: Completed
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